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whom was this sacrifice useful?..." |
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| The Alamo was an irregular
fortification without flank fires. . . . Four columns
were chosen for the attack. The first . . . was to move
against the western front, which faced the city. The
second . . . was entrusted with a like mission against
the front facing the north. . . . The third . . . was to
attack the east front, which was the strongest. . . . The
fourth . . . was entrusted with taking the entrance to
the fort. . . . This was the general plan. . . . --José Enrique de la Peña Narrative
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Ygnacio de Labastida,
Plano de la ciudad de San Antonio de Béxar y
fortificación del Alamo . . . Marzo de 1836.
Autograph document, Texas Map Collection.Drawn
by the commander of engineers for Santa Anna's army, this
is the official battle map of the Alamo fortifications.
It shows a wide area around the Alamo, including the town
and military presidio of San Antonio.
(Versión
en Español)
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José Juan Sánchez Navarro,
Fuerte de San Antonio de Valero, llamado comunmente
del Alamo . . . 1836. Autograph document, CN 01579
Pt. 1 & 2, José Juan Sánchez Navarro Papers.Sánchez Navarro kept a private record in
his ledgers detailing his observations both of the siege
of Béxar in 1835 and the assault on the Alamo in 1836.
In one ledger he drew this plan of the Alamo, identifying
the fort's physical components and its defenses, with
comments on their relative strengths.
(Versión
en Español)
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Carlos Sánchez-Navarro [y
Peón], La guerra de Tejas; memorias de un soldado.
Méjico: Editorial Polis, 1938. CN 10459, Texas
Collection Library.A century after the
assault on the Alamo, José Juan Sánchez Navarro's
memoirs of the Texas campaign were published in Mexico by
one of his descendants.
(Versión
en Español)
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| I have written as an
eyewitness to these . . . events. I have described them
with accuracy and have recorded them not from memory, but
as they took place. --José Enrique de la
Peña Narrative
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Manuscript page describing
the death of William Barret Travis. Autograph document,
José Enrique de la Peña Narrative, José Enrique de la
Peña Collection. Peña Narrative
contains his account of the death of William Barret
Travis at the Alamo. His description, translated, reads
as follows:
They had bolted and reinforced the
doors, but in order to form trenches they had
excavated some places inside that were now a
hindrance to them. Not all of them took refuge, for
some remained in the open, looking at us before
firing, as if dumbfounded at our daring. Travis was
seen to hesitate, but not about the death he would
choose. He would take a few steps and stop, turning
his proud face toward us to discharge his shots; he
fought like a true soldier. Finally he died, but he
died after having traded his life very dearly. None
of his men died with greater heroism, and they all
died. Travis behaved as a hero; one must do him
justice, for with a handful of men without
discipline, he resolved to face men used to war and
much superior in numbers, without supplies, with
scarce munitions, and against the will of his
subordinates, He was a handsome blond, with a
physique as robust as his spirit was strong.
(Versión
en Español)
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Manuscript page describing
the death of David Crockett. Autograph document, José
Enrique de la Peña Narrative, José Enrique de la Peña
Collection.Peña's Narrative includes his
account of the execution of David Crockett following the
assault on the Alamo. The account, translated, reads as
follows:
Some seven men had survived the
general carnage and, under the protection of General
Castrillón, they were brought before Santa Anna.
Among them was one of great stature, well
proportioned, with regular features, in whose face
there was the imprint of adversity, but in whom one
also noticed a degree of resignation and nobility
that did him honor. He was the naturalist David
Crockett, well known in North America for his unusual
adventures, who had undertaken to explore the country
and who, finding himself in Béjar at the very moment
of surprise, had taken refuge in the Alamo, fearing
that his status as a foreigner might not be
respected. Santa Anna answered Castrillón's
intervention in Crockett's behalf with a gesture of
indignation and, addressing himself to the sappers,
the troops closest to him, ordered his execution. The
commanders and officers were outraged at this action
and did not support the order, hoping that once the
fury of the moment had blown over these men would be
spared; but several officers who were around the
president and who, perhaps, had not been present
during the moment of danger, became noteworthy by an
infamous deed, surpassing the soldiers in cruelty.
They thrust themselves forward, in order to flatter
their commander, and with swords in hand, fell upon
these unfortunate, defenseless men just as a tiger
leaps upon his prey. Though tortured before they were
killed, these unfortunates died without complaining
and without humiliating themselves before their
torturers.
(Versión
en Español)
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| To whom was this
sacrifice useful and what advantage was derived by
increasing the number of victims? . . . Death united in
one place both friends and enemies; within a few hours a
funeral pyre rendered into ashes those men who moments
before had been so brave that in a blind fury had
unselfishly offered their lives and had met their ends in
combat. --José Enrique de la Peña
Narrative
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More Particulars
Respecting the Fall of the Alamo, in Telegraph
and Texas Register, March 24, 1836. Texas Newspaper
Collection.This early Texas newspaper
attempted to piece together the details of the Alamo
drama from various sources. Its glowing praise of the
fallen defenders gave voice to the first legends to arise
from the battle.
(Versión
en Español)
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The Façade of the Alamo
Chapel, 1849. Gov. Dolph and Mrs. Janey Briscoe Alamo
Daguerreotype, Prints and Photographs Collection.This 1849 daguerreotype of the façade of
the Alamo chapel in San Antonio is the earliest datable
photograph taken in Texas and the only extant
photographic view of the Alamo made prior to its
reconstruction in 1850. Governor and Mrs. Dolph Briscoe
acquired this benchmark Texas photograph for the Center
for American History in 1993.
(Versión
en Español)
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